~~ the dark Father.
Jul. 14th, 2004 11:04 pmEveryone knows that I hate Lucius Malfoy, right? Well, I thought I did. And then I saw
jereeza's watercolor version of him and... *siiiiigh* Yes. Finally! Finally! Gah. I don't know where to begin. The short hair helps a lot, but it's really the expression-- this man is beautiful because he isn't pretty. Oh, how happy that makes me.
Ahhh, the Trelawney portrait is also vivid like that to me, mmmmyes.
It's funny, because I'm actually obsessed with physical beauty, and you'd be hard-pressed to find someone much more fixated on the pleasure to be found in the appearances of things. So I understand where the need to draw everything pretty comes from-- I draw everything as pretty as I can, myself, though I try not to. I just think that illustrating a character is something to take seriously in terms of the depiction of their personality as much as the technical aspect. Every picture is worth a thousand words, they say. Well, it -is-.
I think it's just that in my mind, Lucius is "The Terrible Father" archetype, and this almost Victorian-looking portrait really reminds me of that aesthetic. I don't mean 'terrible' as in ghastly, I mean as in formidable-- a towering force. To me, a parent like that is the stuff of childish nightmares, since I was something of a sensitive child, I think, and naturally exaggerated my own parents' terribleness. Even my rather loving mother became larger than life-- had a definite fearsome aspect. I can only imagine what it's like when your father -is- actually scary.
The painting reminds me of my childhood nightmares, I think, and of the fairy-tales I'd read where you had The Dark Father who punished the curious, adventurous child. You didn't really -know- The Father-- he was a huge, looming shadow and a vague memory of being bounced upon his knee next to a sunlit window when you were much younger. You looked up at him from your scrawny height and thought he was something other than human-- his severe, patrician features and his coldly set mouth and his stare that could pierce you through the heart and spread ice right down to your toes.
I think it's just that-- for me-- Lucius is very much a children's book character. He is most fascinating at his most inhuman, when one looks at him through Draco's terrified-yet-enthralled pov. He's quite a contrast to Mr. Dursley, who so many fic writers use as a simple plot device to terrorize Harry-- it seems to me that Mr. Dursley was easily overcome, especially by Harry. He's the one a child could trick because I'm pretty sure even at 7 years old Harry had more wits and spirit about him than Vernon Dursley knew how to deal with. So it's more than a bit ridiculous to have so many fics where he physically abuses Harry and Harry just -takes- it. If nothing else, I think Harry's magic would've flared if he was that terrified or angry.
Anyway, perhaps it's just that more people have parents like the Dursleys than like the Malfoys, so they write what's more familiar and easily understood or something. I have to admit, my own fantasies and fears ran more towards the Malfoy end of the spectrum: my parents were both indulgent and distant in different ways, and they were both rather powerful in my mind.
Looking at
jereeza's Lucius from an adult pov, I just see a wretched, miserly man who's trapped in his own machinations-- a man who wears a veneer of disdain to cover up an inability to take any real joy in -anything-. I think what most people forget is that Lucius Malfoy is meant to be ugly. And I don't mean physically-- I mean this man's spirit is truly ugly. This isn't so much about bitterness (borne of anger & despair), even, as with Snape: I think this man is consumed with all-out hatred (borne of fear).
I don't mean to use 'ugliness' (or monstrousness) as a way to dehumanize him, really. Plenty of humans are like this-- they shrivelled up inside as they became ever more consumed with power as a means in itself. The more one craves control over others (especially those who cannot fight back as one's equals-- say, oh, Muggles), the more one tries to distance oneself from one's vulnerabilities. One cannot be controlling or cold without losing touch with one's inner child to the point where one forgets what it felt like in the first place. All one remembers is powerlessness, now replaced with power.
My bias is, of course, that I've always associated the need for control (over others) with moral degeneration. It's basically at the root of all degeneration of one's capacity for compassion (i.e., humanity) in general as far as I can tell. My idea of Lucius is almost completely centered around his use of those weaker than himself to gain power; therefore Lucius is rather antithetical to me.
I've always had this underlying horror of Harry/Lucius as a pairing partly because it makes me think of the sacrificial lamb. Harry is so needful of a good Father in his life, and Lucius is just the complete opposite. And I think Harry could 'take' him if you mean in a fight, but the idea of any sort of cohabitation makes me think of a pale, miserable 11-year old being shipped off to the awful dark Mansion in a long black limo, his wet face pressed to the car window as he's being driven away.
I think in the end, I myself am too much of a child, still, to tolerate the idea that this child could grow up and not escape. Growing up has to be about escape. This is what we're escaping! This man and everything he stands for. This is precisely the kind of adult that's the enemy of every child with any shred of creativity or imagination, I think. He mesmerizes me and repulses me and inspires me to write to exorcise that demon.
This picture keeps making me think of the kind of Mansion this portrait would fit on the wall of. It reminds me of Penelope's `Carnivorous House'. Wah.
Ahhh, the Trelawney portrait is also vivid like that to me, mmmmyes.
It's funny, because I'm actually obsessed with physical beauty, and you'd be hard-pressed to find someone much more fixated on the pleasure to be found in the appearances of things. So I understand where the need to draw everything pretty comes from-- I draw everything as pretty as I can, myself, though I try not to. I just think that illustrating a character is something to take seriously in terms of the depiction of their personality as much as the technical aspect. Every picture is worth a thousand words, they say. Well, it -is-.
I think it's just that in my mind, Lucius is "The Terrible Father" archetype, and this almost Victorian-looking portrait really reminds me of that aesthetic. I don't mean 'terrible' as in ghastly, I mean as in formidable-- a towering force. To me, a parent like that is the stuff of childish nightmares, since I was something of a sensitive child, I think, and naturally exaggerated my own parents' terribleness. Even my rather loving mother became larger than life-- had a definite fearsome aspect. I can only imagine what it's like when your father -is- actually scary.
The painting reminds me of my childhood nightmares, I think, and of the fairy-tales I'd read where you had The Dark Father who punished the curious, adventurous child. You didn't really -know- The Father-- he was a huge, looming shadow and a vague memory of being bounced upon his knee next to a sunlit window when you were much younger. You looked up at him from your scrawny height and thought he was something other than human-- his severe, patrician features and his coldly set mouth and his stare that could pierce you through the heart and spread ice right down to your toes.
I think it's just that-- for me-- Lucius is very much a children's book character. He is most fascinating at his most inhuman, when one looks at him through Draco's terrified-yet-enthralled pov. He's quite a contrast to Mr. Dursley, who so many fic writers use as a simple plot device to terrorize Harry-- it seems to me that Mr. Dursley was easily overcome, especially by Harry. He's the one a child could trick because I'm pretty sure even at 7 years old Harry had more wits and spirit about him than Vernon Dursley knew how to deal with. So it's more than a bit ridiculous to have so many fics where he physically abuses Harry and Harry just -takes- it. If nothing else, I think Harry's magic would've flared if he was that terrified or angry.
Anyway, perhaps it's just that more people have parents like the Dursleys than like the Malfoys, so they write what's more familiar and easily understood or something. I have to admit, my own fantasies and fears ran more towards the Malfoy end of the spectrum: my parents were both indulgent and distant in different ways, and they were both rather powerful in my mind.
Looking at
I don't mean to use 'ugliness' (or monstrousness) as a way to dehumanize him, really. Plenty of humans are like this-- they shrivelled up inside as they became ever more consumed with power as a means in itself. The more one craves control over others (especially those who cannot fight back as one's equals-- say, oh, Muggles), the more one tries to distance oneself from one's vulnerabilities. One cannot be controlling or cold without losing touch with one's inner child to the point where one forgets what it felt like in the first place. All one remembers is powerlessness, now replaced with power.
My bias is, of course, that I've always associated the need for control (over others) with moral degeneration. It's basically at the root of all degeneration of one's capacity for compassion (i.e., humanity) in general as far as I can tell. My idea of Lucius is almost completely centered around his use of those weaker than himself to gain power; therefore Lucius is rather antithetical to me.
I've always had this underlying horror of Harry/Lucius as a pairing partly because it makes me think of the sacrificial lamb. Harry is so needful of a good Father in his life, and Lucius is just the complete opposite. And I think Harry could 'take' him if you mean in a fight, but the idea of any sort of cohabitation makes me think of a pale, miserable 11-year old being shipped off to the awful dark Mansion in a long black limo, his wet face pressed to the car window as he's being driven away.
I think in the end, I myself am too much of a child, still, to tolerate the idea that this child could grow up and not escape. Growing up has to be about escape. This is what we're escaping! This man and everything he stands for. This is precisely the kind of adult that's the enemy of every child with any shred of creativity or imagination, I think. He mesmerizes me and repulses me and inspires me to write to exorcise that demon.
This picture keeps making me think of the kind of Mansion this portrait would fit on the wall of. It reminds me of Penelope's `Carnivorous House'. Wah.
gippy gip
Date: 2004-07-15 07:53 am (UTC)Ooh, I love Peter. Favourite Marauder, hands down. And that's pretty much why, in one sentence.
Peter's a survivor.
Sirius, Remus and James can represent Gryffindor, from it's extremes of good (bravery and loyalty - James dying for Harry, Sirius protecting Harry) to the extremes of bad (arrogance, aggression; nicely summed up in the pensieve scene) and live life in a drama of 'righteous' fury and anger; but look where it gets them - two are dead, one a outcast cripple.
And there's cowardly old Peter, who keeps on going!
I don't know, it probably doesn't say much more my morals, but there's something admirable there...
Re: gippy gip
Date: 2004-07-15 10:02 am (UTC)I mean, my favorite Musketeer? Aramis, hands down. The one who lives--not because he's the best fighter but because he's the smart one who keeps his cards close to his chest and is flexible.:-)
Re: gippy gip
Date: 2004-07-15 10:10 am (UTC)JKR doesn't seem to prize intelligence, as a quality. I mean, look at Harry... *ducks from the multitude of Harry fans angrily converging*
But there are some 'alternative' ways of viewing Peter's choices which are fairly interesting (and plausible?...)
http://www.livejournal.com/users/pauraque/118331.html
http://www.skyehawke.com/archive/story.php?no=1882
I mean, my favorite Musketeer? Aramis, hands down. The one who lives--not because he's the best fighter but because he's the smart one who keeps his cards close to his chest and is flexible.:-)
Heh, my experience of the Musketeers stretches only to the Leonardo DiCaprio film, and the cartoon in which they were all dogs (and there was Dogtanian, which made me and my sister laugh like the little nerds we are ;)
Aramis was the priest who was playing both sides, though, yeah? ;)
Re: gippy gip
Date: 2004-07-15 06:23 pm (UTC)Re: gippy gip
Date: 2004-07-16 02:30 am (UTC)Re: gippy gip
Date: 2004-07-15 02:36 pm (UTC)I don't mind people who only care about themselves if they're honest about it on a base level, and I like Aramis-- the difference between Aramis & Peter, though, is that Aramis would never betray his friends. He was a Musketeer above all, when it counted, just like any of the rest of them. In a way, the four Musketeers represent a sort of mini House system of complementary values-- with Athos the Ravenclaw and D'Artagnan the Gryffindor and Porthos the Hufflepuff. I suppose that makes Aramis the very laid back Slytherin, though I don't think the label really fits. Hmm.
The one I identified with was D'Artagnan. The one I'd fall in love with was Athos, hands down. Ahhhhhhh ATHOS <33333333333333333333333
no subject
Date: 2004-07-15 02:38 pm (UTC)Re: gippy gip
Date: 2004-07-15 06:33 pm (UTC)Hee. Athos was cool! And D'Artagnan was such a loveable goof in the beginning.
no subject
Date: 2004-07-15 08:56 pm (UTC)My guess is that there's nothing attractive about Peter as a character in so far as-- he has no real talent or 'spark' about him, plus we don't really -know- him the way we know Sirius or Remus or Snape. Y'know? There's that... need for actual presence again~:)
Re: gippy gip
Date: 2004-07-18 09:18 am (UTC)The one I identified with was the Iron Mask! Or whatever it was called.
Re: gippy gip
Date: 2004-07-18 07:18 pm (UTC)