....I blame Hayama.
Dec. 7th, 2004 07:50 pmI love boys who think they're mean... except they aren't.
It's like they're the living embodiment of a joke-- being one thing and yet unable to stop acting like another. And then, of course, they have to meet the one person who sees right through them, and the drama just multiplies.
That's what it comes down to. Y'know, those arrogant, arm-crossing, pigtail-pulling, whistling-as-they-walk, impossible-to-handle, secretly-rather-sensitive, stupidly-joking, pretentious little boys. Who then get their come-uppance-- from overly-cheerful, at times overly-brainy, definitely overly-righteous, give-as-good-as-they-get, sweetly-smiling-while-they-wreak-some-havoc little girls <3 Or boys <3
I just needed to put that out there. Even seeing an icon of Hayama from Kodocha makes me all AWWWWW<333333 and then I remember HYD & Alice/Rin and it all goes downhill.
See, that's the problem with the polite, distant and rational type of arrogance-- it's just nowhere near as fun or entertaining to watch for long, but especially when it's presented as being part of an adult's being rather than a boy's defensiveness. Who really wants politely cutting sarcasm (in other words, not really funny and more like stuffy, uninspired & limp-wristed) when you could have that essential pinch of barely-contained anger with your sarcasm? I mean, it's hard to draw the line-- both are mean, one is just more obviously meant to provoke & combative. It's that prelude to sharp-witted fighting that I like, so there has to be a chink in the armor. I mean, if you're too 'smooth', then the only fight would be to use other terms entirely rather than fluster or catch you off-guard. There's less potential for back and forth & escalation with the polite thing.
I think in some ways, it's hard to be really funny if you're not mean in some little way in your teasing, and anyone's who's mean is already not very sophisticated and is rather childish & petty. You can be meanly mocking -and- glibly sophisticated, but only if you're ironic about it-- that is, if the sophistication is all a facade, and really you're using it as a weapon-- but on the other hand, if the drollness is all that's there, the sheer emotion behind real meanness goes away, and one can brush it off. Like, if someone sounds attractively bored while they're mocking you, maybe you'll wibble if you're an insecure little girl, but who with an ounce of self-esteem would fall for that?
Though maybe there's some overlap there. Like, what is the difference between Hayama or Rin (who like to play it cool, definitely... so maybe there's that bored thing going on even though they're pestering and taunting, so it's not like they're Tasuki or Kyou from Fruits Basket, who's all... well, forthright with his temper tantrums, which is the opposite) & like... uh, Lestat (for lack of a better comparison). There's a difference, isn't there? It seems important. Maybe it's that Lestat is -too- jaded, too entrenched, too... invulnerable. Like, Hayama likes to cross his arms and look bored, but he's not really bored when it comes to our protagonist or whatever he really cares about. Hayama's just a 'lone wolf', as Sana likes to say, but he's obviously just... abandoned. Lestat's also a 'lone wolf', but he's the one who abandons. That seems important too.
I think a central point of division between the stereotypes in my head is that what I'm drawn to is pretension-- the masking of self. If there's not that pre-existing vulnerable underbelly constantly alluded to (even if it's by being denied), then there's not enough personality layers & complexity to interest me.
Isn't the fun thing about that other stereotype of uber-aristocratic boredly mocking young man that usually he's contrasted with someone earnest and young and impetuous who makes him drop his mean ways and become sincere? (Watch out, it's a Victorian soap opera. Hee.) So there's no more pigtail-pulling, no more silly contests of wit, no more tension-- just the sort of 'winning over' of the jadedly witted smirking one by the impassioned, moral yet enthusiastic one. And then it's over. Curtain falls, the snark is dead. Though I fall for that, especially in HYD, 'cause... I'm a shameless romantic like that. But I still like the beginning more.
The mean little boy never stops snarking or pigtail-pulling even when he's lost & his partner knows the gig is up, having seen his soft little underbelly, though. On a fangirly note, that's why I love
dracolicious <3
Omg, Wyv-Kate's nekkid girl!Harry & Draco >:9
It's like they're the living embodiment of a joke-- being one thing and yet unable to stop acting like another. And then, of course, they have to meet the one person who sees right through them, and the drama just multiplies.
That's what it comes down to. Y'know, those arrogant, arm-crossing, pigtail-pulling, whistling-as-they-walk, impossible-to-handle, secretly-rather-sensitive, stupidly-joking, pretentious little boys. Who then get their come-uppance-- from overly-cheerful, at times overly-brainy, definitely overly-righteous, give-as-good-as-they-get, sweetly-smiling-while-they-wreak-some-havoc little girls <3 Or boys <3
I just needed to put that out there. Even seeing an icon of Hayama from Kodocha makes me all AWWWWW<333333 and then I remember HYD & Alice/Rin and it all goes downhill.
See, that's the problem with the polite, distant and rational type of arrogance-- it's just nowhere near as fun or entertaining to watch for long, but especially when it's presented as being part of an adult's being rather than a boy's defensiveness. Who really wants politely cutting sarcasm (in other words, not really funny and more like stuffy, uninspired & limp-wristed) when you could have that essential pinch of barely-contained anger with your sarcasm? I mean, it's hard to draw the line-- both are mean, one is just more obviously meant to provoke & combative. It's that prelude to sharp-witted fighting that I like, so there has to be a chink in the armor. I mean, if you're too 'smooth', then the only fight would be to use other terms entirely rather than fluster or catch you off-guard. There's less potential for back and forth & escalation with the polite thing.
I think in some ways, it's hard to be really funny if you're not mean in some little way in your teasing, and anyone's who's mean is already not very sophisticated and is rather childish & petty. You can be meanly mocking -and- glibly sophisticated, but only if you're ironic about it-- that is, if the sophistication is all a facade, and really you're using it as a weapon-- but on the other hand, if the drollness is all that's there, the sheer emotion behind real meanness goes away, and one can brush it off. Like, if someone sounds attractively bored while they're mocking you, maybe you'll wibble if you're an insecure little girl, but who with an ounce of self-esteem would fall for that?
Though maybe there's some overlap there. Like, what is the difference between Hayama or Rin (who like to play it cool, definitely... so maybe there's that bored thing going on even though they're pestering and taunting, so it's not like they're Tasuki or Kyou from Fruits Basket, who's all... well, forthright with his temper tantrums, which is the opposite) & like... uh, Lestat (for lack of a better comparison). There's a difference, isn't there? It seems important. Maybe it's that Lestat is -too- jaded, too entrenched, too... invulnerable. Like, Hayama likes to cross his arms and look bored, but he's not really bored when it comes to our protagonist or whatever he really cares about. Hayama's just a 'lone wolf', as Sana likes to say, but he's obviously just... abandoned. Lestat's also a 'lone wolf', but he's the one who abandons. That seems important too.
I think a central point of division between the stereotypes in my head is that what I'm drawn to is pretension-- the masking of self. If there's not that pre-existing vulnerable underbelly constantly alluded to (even if it's by being denied), then there's not enough personality layers & complexity to interest me.
Isn't the fun thing about that other stereotype of uber-aristocratic boredly mocking young man that usually he's contrasted with someone earnest and young and impetuous who makes him drop his mean ways and become sincere? (Watch out, it's a Victorian soap opera. Hee.) So there's no more pigtail-pulling, no more silly contests of wit, no more tension-- just the sort of 'winning over' of the jadedly witted smirking one by the impassioned, moral yet enthusiastic one. And then it's over. Curtain falls, the snark is dead. Though I fall for that, especially in HYD, 'cause... I'm a shameless romantic like that. But I still like the beginning more.
The mean little boy never stops snarking or pigtail-pulling even when he's lost & his partner knows the gig is up, having seen his soft little underbelly, though. On a fangirly note, that's why I love
Omg, Wyv-Kate's nekkid girl!Harry & Draco >:9
no subject
Date: 2004-12-07 05:18 pm (UTC)I feel completely the opposite way. I feel like, who with an ounce of self-esteem would fall for proddy bitchy meanness? At least the attractively bored, distantly arrogant, rational and polite asshole sounds like he has come to a rational decision that you suck rather than just emoting at you.
So yeah. ;) Other side of the road entirely. ;)
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Date: 2004-12-07 05:31 pm (UTC)no subject
Date: 2004-12-07 06:02 pm (UTC)Like... I don't think it's just 'emotive meanness' that I'm talking about in contrast, so I don't think it's the other side of the road, y'know? It's like... Tasuki (from Fushigi Yuugi) or Kyou (from Fruits Basket) is all emotive and angry and GRR ARGH. That's not mean, that's... well, it's cute, the way berserkers are cute (that's just me though).
The 'mean little boy' is all 'I'm so bored and arrogant' but really he's still playing. The arrogant adult-- all he knows is the game, so you can't defeat him except by showing him he's COMPLETELY WRONG about life and/or you in particular, so he'll make an exception for you and not be mean to you anymore. That's what I meant, I -think-??
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Date: 2004-12-07 06:12 pm (UTC)I have no idea who Tasuki or Kyou are, but for example? My favorite characters are people like Magneto, or Kunzite from Sailor Moon, or such like that. Not so much excited about the emotive sorts, really.
Which is funny, since in HP my favorite character is Sirius? LOL! I mean, you'd think it'd be fanon!Lucius, or Remus or something, hahah.
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Date: 2004-12-07 06:15 pm (UTC)...and that is such a strange thing to say in this fandom, where I only seem to talk about the Gryffindors and my favorite character is a total hothead. :)
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Date: 2004-12-07 06:23 pm (UTC)Like, the characters like Draco (can be) or Hayama (definitely) aren't really emotive in the straightforward sense of being sincere (that's more like... um, Jim Kirk-- the typical hero-- if you're going for 'not mean' or say... Han Solo or Wolverine, maybe, if you're going for 'kinda mean' as in, extraverted rogue types... which I also like, but not because they're so mean).
I sort of like the intraverted rogue-- who tries to play it cool and succeeds except when he's met his match. Or something. Um. Does that make any sense? :-?
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Date: 2004-12-07 06:29 pm (UTC)no subject
Date: 2004-12-07 06:36 pm (UTC)Whereas characters who try to play it cool kind of annoy me because they're full of pretense? Which is maybe why I like Sirius now that I'm thinking about it - he doesn't even act at being mature. ;)
Draco, I don't really have any idea what to think of him, to be honest. I mean, on one hand I think he is pretty sincere, in that what he says really is what he thinks, but on the other hand I think it's a naive sort of sincerity because I'm not convinced he has any idea how deep the shit he says really is. He's a bit of a parrot, really, I think.
But it's hard with JKR's "villainous" characters (in quotes because Draco hasn't actually DONE anything, so it's kind of odd to consider him a villain at this point) because she doesn't develop them very well. Which, I think, is why this is one of very few fandoms where I liked the heroes better than the villains.
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Date: 2004-12-07 06:38 pm (UTC)...anyway. Right. So that's my favorite Draco I've ever run across, and he wasn't really mature, but he did form my view of Draco forever, I think.
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Date: 2004-12-07 06:39 pm (UTC)no subject
Date: 2004-12-07 06:42 pm (UTC)I think with N_A, even though he wasn't mature, he was very well-formed already, and even though he did change in his attitudes towards Harry & Ron and such, he remained... himself. Which is fine & rather realistic, it's just that I feel... unsatisfied unless I see characters I like without their barriers. I'm voyeuristic like that :D
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Date: 2004-12-07 06:44 pm (UTC)no subject
Date: 2004-12-07 06:44 pm (UTC)no subject
Date: 2004-12-07 06:46 pm (UTC)As characters, love 'em! They don't insult me when they're fictional.:-)
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Date: 2004-12-07 06:48 pm (UTC)The Draco I started out loving was Ivy's, Erin's, Aja's, Silvia's, Amalin's, Penelope's, Riddle's, Marysia's-- old skool all the way!!1 Fanon but a different fanon. That's sensitive!angsty!obsessed!Draco and silly!deluded!sarcastic-twit!Draco <3<3<3
I hate him if he's in control of himself (or Harry). Hate. Hate. HATE :>
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Date: 2004-12-07 06:49 pm (UTC)no subject
Date: 2004-12-07 06:55 pm (UTC)Canon!whore and all that jazz. ;)
And I think, in canon, Draco isn't a particularly layered person, so I tend to be irritated by very layered Dracos, because then they don't register as real Dracos. If that makes sense. O_o
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Date: 2004-12-07 06:55 pm (UTC)AND YES, I AM SO A GAMBIT PERSON!! HEAR ME PWOAR, OMG!!1 Gambit is one of my favorite characters along with Rogue (ahhh, Rogue/Gambit 4Evah), Jubilee (who's a lot like me, prolly), movie!St. John (YUMMY SLASH) & Storm (I covet her powers). I also like Scott 'cause I'm a sucker for stupid hero-types :> Oh, and I really like Professor X >:D
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Date: 2004-12-07 07:00 pm (UTC)no subject
Date: 2004-12-07 07:00 pm (UTC)...that might not make sense if you've never read the comics, LOL! And at the time, it was a realistic thing to ship. ALAS NOT ANYMORE but fortunately I've moved on too, so I'm not too devastated. ;)
Aaaand I liked Jean. And Scott, yes. Was never much for Jubilee, which is funny cos I like you, LOL (but then, I don't like Luna either?) *thinks thinks thinks* ...I shouldn't keep going cos then I'll start talking 40 years of fricking X-Men history. ;)
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Date: 2004-12-07 07:09 pm (UTC)ANYWHO, I do agree that everyone has depths, absolutely. But I suppose the trouble is that, when I'm dealing with fanfiction, my concern is more heavily weighted toward wanting to see the book character recreated than wanting to see a realistic personal recreated? And yes, flat characters will bore me, but that's why I don't read fanfic about underdeveloped characters, I suppose - because if you add a lot to them, I no longer feel they're the same person, and if you don't, they're dull. Yeah.
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Date: 2004-12-07 07:10 pm (UTC)I think I'm sort of... um... multifaceted~:)) Like, I used to be more like Luna than I am, and sometimes I've got an attitude and a hard shell like Jubilee (or like, Ginny or Harry), but sometimes... well, on lj especially, I'm just quiet and discuss things a lot~:)) Okay, not so much with the quiet ^^;; I'm really sekritly not quiet at all. But :> What I mean is, I'm much more toned down & rational than either Jubilee or Luna :> Who're kind of opposites, btw :D
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Date: 2004-12-07 07:16 pm (UTC)I'm not like that with any other character, though. Then again, I'm not invested in anyone else the same way, in terms of fanfic-- as in, I don't feel the need to extrapolate their future or add depth to them, I more want to explore them as they are in canon (so while I like Harry & Ron, I don't want to mess with them). On the other hand, I feel fully-developed characters are harder to write 'cause it's so difficult to avoid my personal 'stamp' getting on them. Like, with Draco I have more leg-room 'cause less is known about him than Harry, for instance, so it's easier to smudge things-- unless any smudging at all is too much :>
But since I really don't care about preserving the sanctity of canon in Draco's case, I feel sort of... like I want to pay attention to it as source material rather than as... the destination I want to go. Because Draco's destination/demeanor in canon just bothers me a lot. And somehow through all the fanfic, he started living in my head and now I can't get him out. He's stubborn like that :>
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Date: 2004-12-07 07:17 pm (UTC)The Rogue/Magneto thing basically took place mooooostly in a few issues in the late 200s of Uncanny, but the writers dragged it out a great deal for the next few years - there was a lot of "OMG MAGNETO IS BACK WILL ROGUE CHOOSE HIM OR GAMBIT?!?!?" and an alternate universe where they were married with a son. *swoon of nostalgia.*
I'm starting to think I have a kink for "stoic lover/impulsive lover" though - Magneto/Rogue, Angel/Buffy, Remus/Sirius... not all of my favorite pairings fall under that category, but I do think it seems to be emerging as a favorite flavor of romance (even though my favorite portrayal of Rogue/Magneto was in that alternate universe, and Rogue was pretty mature/not impulsive... hum.)
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Date: 2004-12-07 07:23 pm (UTC)It's true I don't hate a Draco who's controlled or smooth if I like whatever particular character he is--particularly in Mira's case when he's older and I actually think any writer *should* make him somewhat more controlled because honestly, I think by the time he's 25 he can't realistically be a goofy kid the way he is in canon. Sometimes, actually, I think that's a real challenge in writing him. Like, satinrose mentioned NA!Draco above, and you know I adore potterstinks, but I remember his player saying she wouldn't know how to write him without Lucius if she had to continue and I felt in the game ps was perpetually a child--like he was fully-formed and would not change. Even when people were projecting into the future Draco did not change at all, he was just an old man version of himself...and I just didn't think that would be realistic, really. I mean, it wasn't that I had a version of Draco that I had planned myself, but given what we'd seen at the end of the game I felt like it had gotten to where keeping him true to canon in the very same ways that made him great in NA would actually have been artificial.
It's like Snape--if we had seen books set in MWPP era I seriously doubt that *anybody* would have come up with the Snape of canon for futurefic. So yeah, with Draco I do honestly think that while he'll always be himself he should, as an adult, be more controlled and probably seem, superficially, more icy than Harry because Harry isn't part of the same social circle. He wouldn't always be controlled, but I think he'd have gotten better at the affected iciness he's been attempting since his first scene.