~~ (an appalling lack of) defense
Jun. 6th, 2004 11:20 pm![[personal profile]](https://www.dreamwidth.org/img/silk/identity/user.png){kind=small}
reenkaI want to defend movie!Harry here & here & elsewhere the same way I'd want to defend any Harry (except some of Maya's incarnations, heh-- 'cause duuuude) but I don't think it would ever really come out right. I don't think "defending" any character really works in the end. People like (or don't like) other people, whether or not they're fictional, for a variety of idiosyncratic reasons that often have to do with who -they- are rather than who the character is, though I think there's three major types of perceiving a character.
You can identify (empathize) with them, you can sympathize with them, or you can reject them as being severely deficient as human beings, whatever's important about human beings by your judgement.
I think I dislike the idea of judgement, even though naturally, I practice it just like everyone else does. I dislike the idea of holding a character up to some standard or other, even if it's some bright and shining, egalitarian standard of righteousness. Once you start organizing people according to a social ideal of whatever sort-- that is, seeing them as representations of a greater (either oppressed or oppressive) group, I feel you immediately lose sight of them as human beings-- both right and wrong, ugly and beautiful, likable and eminently hatable. Everyone's someone's antithesis-to-all-they-hold-dear, most probably.
Oh yes, subjectivism rules :> But! Even that is a socially-judgmental statement which could lead me to condemn someone if I'm not careful-- like, someone who pushes their pov as uber-objective for instance, and I hesitate to do that. Maybe I'm just ultimately waffly.
Harry often seems to be supported by "the System". If the system is bad, does it therefore follow that whatever opposes "the System" is good? That would seem to be a logical fallacy. And anyway, who's to really decide what's bad and good? Except for the realistic fact that if one group leaves power, another group with usually either more or different "issues" will rise to said power.
Hello, my name is Reena and I'm an optimistic fatalist :>
I do have my own opinions on what's bad and good, whatever I say about the subjectivity of all stances, of course. Ultimately, I think one's inner heart (and the presence or absence of "goodness" therein) is a matter of faith, nothing that can be proven or disproven by action or visible emotion alone. A good writer can show this inner heart through use of subtlety and some direct insight into a character's conscious & unconscious mind, and an even better movie can imply this inner heart through an actor's (easily misunderstood or unnoticed) expression, tone or body-language, coupled with others' reactions and possibly lighting & scenery.
Even so, one's understanding of another person, whether in movies or in books, depends on our own sensitivity & wisdom in judging people, and this, I feel, one can never be really confident about. So I just fall back on repeating my mantra: Harry = <3, Harry = <3 :D
I suppose he blew up at Aunt Marge (heh) over nothing, since yes, what does he know about his father/mother/etc, but... the point isn't that we blow up at people 'cause we -should- or because they're -wrong- (unless you're a very self-righteous person yourself). People usually blow up at people 'cause they rub them the wrong way, piss them off, are assholes and so on. Aunt Marge was being mean & hitting Harry where it hurt most, so of course Harry blew up. Harry doesn't really blow up unless you provoke him in very specific ways, and consistently at that. He had previous long-standing family issues which just came to a head in the beginning of PoA.
As far as him being mean & stealing Neville's candy & shoving people and whatever else-- he wasn't doing it on purpose, I don't think, he was just being wanky & acting out & being a boy. Most boys (who aren't meek) are kind of assholes because they -can- be, aren't they? Well, I thought so when I was their age :D
Anything that has a character acting emotionally but in a way that's not emotionally correct doesn't make sense to me as "bad". I mean, I can see "bad" as being unemotional, unfeeling, 'cause that's sort of psychopathic-- that's the sort of person who kills and feels nothing but a sort of distant satisfaction at a job well done. Anything short of that can be seen as something an average person would do in that situation, I feel. I mean, hey, people do kinda suck :D
The whole idea of disliking a character 'cause they're perceived as so great and saintly and wonderful and -aren't-, and then loving a character that acts bastardly & yet isn't loved seems like too much of an over-simplification to me. I can't love The Villain or The Fall-guy -because- that's what they are-- I mean, every person is a -person-, apart from their interactions with others, and it's their separate individuality that seems important to me. People interact in wildly different ways with different other people-- they become different in different company, a lot of times, so it's really hard to judge someone based on how they are around others.
That said, I had a problem with movie!Lupin based on lack of sympatheticness, yes, but that's because he just made no sense to me on an emotional level, not that I thought he was an unkind person or whatever. If I -understand- a character, I tend to like them. I realize I'm in the minority, not in so far as other people disliking people that they understand, but in so far as most people wanting to understand the things/people they dislike, I suppose.
You can identify (empathize) with them, you can sympathize with them, or you can reject them as being severely deficient as human beings, whatever's important about human beings by your judgement.
I think I dislike the idea of judgement, even though naturally, I practice it just like everyone else does. I dislike the idea of holding a character up to some standard or other, even if it's some bright and shining, egalitarian standard of righteousness. Once you start organizing people according to a social ideal of whatever sort-- that is, seeing them as representations of a greater (either oppressed or oppressive) group, I feel you immediately lose sight of them as human beings-- both right and wrong, ugly and beautiful, likable and eminently hatable. Everyone's someone's antithesis-to-all-they-hold-dear, most probably.
Oh yes, subjectivism rules :> But! Even that is a socially-judgmental statement which could lead me to condemn someone if I'm not careful-- like, someone who pushes their pov as uber-objective for instance, and I hesitate to do that. Maybe I'm just ultimately waffly.
Harry often seems to be supported by "the System". If the system is bad, does it therefore follow that whatever opposes "the System" is good? That would seem to be a logical fallacy. And anyway, who's to really decide what's bad and good? Except for the realistic fact that if one group leaves power, another group with usually either more or different "issues" will rise to said power.
Hello, my name is Reena and I'm an optimistic fatalist :>
I do have my own opinions on what's bad and good, whatever I say about the subjectivity of all stances, of course. Ultimately, I think one's inner heart (and the presence or absence of "goodness" therein) is a matter of faith, nothing that can be proven or disproven by action or visible emotion alone. A good writer can show this inner heart through use of subtlety and some direct insight into a character's conscious & unconscious mind, and an even better movie can imply this inner heart through an actor's (easily misunderstood or unnoticed) expression, tone or body-language, coupled with others' reactions and possibly lighting & scenery.
Even so, one's understanding of another person, whether in movies or in books, depends on our own sensitivity & wisdom in judging people, and this, I feel, one can never be really confident about. So I just fall back on repeating my mantra: Harry = <3, Harry = <3 :D
I suppose he blew up at Aunt Marge (heh) over nothing, since yes, what does he know about his father/mother/etc, but... the point isn't that we blow up at people 'cause we -should- or because they're -wrong- (unless you're a very self-righteous person yourself). People usually blow up at people 'cause they rub them the wrong way, piss them off, are assholes and so on. Aunt Marge was being mean & hitting Harry where it hurt most, so of course Harry blew up. Harry doesn't really blow up unless you provoke him in very specific ways, and consistently at that. He had previous long-standing family issues which just came to a head in the beginning of PoA.
As far as him being mean & stealing Neville's candy & shoving people and whatever else-- he wasn't doing it on purpose, I don't think, he was just being wanky & acting out & being a boy. Most boys (who aren't meek) are kind of assholes because they -can- be, aren't they? Well, I thought so when I was their age :D
Anything that has a character acting emotionally but in a way that's not emotionally correct doesn't make sense to me as "bad". I mean, I can see "bad" as being unemotional, unfeeling, 'cause that's sort of psychopathic-- that's the sort of person who kills and feels nothing but a sort of distant satisfaction at a job well done. Anything short of that can be seen as something an average person would do in that situation, I feel. I mean, hey, people do kinda suck :D
The whole idea of disliking a character 'cause they're perceived as so great and saintly and wonderful and -aren't-, and then loving a character that acts bastardly & yet isn't loved seems like too much of an over-simplification to me. I can't love The Villain or The Fall-guy -because- that's what they are-- I mean, every person is a -person-, apart from their interactions with others, and it's their separate individuality that seems important to me. People interact in wildly different ways with different other people-- they become different in different company, a lot of times, so it's really hard to judge someone based on how they are around others.
That said, I had a problem with movie!Lupin based on lack of sympatheticness, yes, but that's because he just made no sense to me on an emotional level, not that I thought he was an unkind person or whatever. If I -understand- a character, I tend to like them. I realize I'm in the minority, not in so far as other people disliking people that they understand, but in so far as most people wanting to understand the things/people they dislike, I suppose.
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no subject
Date: 2004-06-07 05:42 am (UTC)People who seem to think OotP is the exception and not the rule make my head hurt
You read saeva's essay, yeah? Under the venus_viblahblah (*smites bad memory*) account?
I love that.
"I like the dark qualities to Harry. I liked the fact that for the first time I felt like I was watching Harry not an Everyman created by Steve Kloves to lure little children into buying Harry Potter toys."
I like that Movie!Harry was darker, and thus closer to Book!Harry.
I don't like Harry's darker qualities while we're being beaten around the head with what a hero he is, and how much better than say, the Dursleys or the Slytherins, he is.
I loathe the end of CoS, when it's so carefully explained that I loathe the end of CoS in which Harry's choice to go into Gryffindor is explained as the reason he's not like Tom Riddle.
If that's truly, when all the books are written and done, the message behind that; then I have no respect for Rowling's knowledge of realistic human characterisation.
A choice as what personality characteristic to value above another has absolutely nothing to do with moral strength or weakness.
A Harry in Slytherin would be a Harry anywhere, imho; unless his true character is so weak and malleable that being surrounded by Slytherins could make him 'evil'.
Harry's weakest point, imho, is his not confronting his own behaviour and that of other around him, not his similarities with Riddle.
I mean, they portray him as moody, bratty teenager, but also as the hero and one who isn't usually wrong in his instincts; so there seems to be a mixed message that Harry is right, for example, in mouthing off to Snape or hitting Draco, because they 'deserve it' somehow.
I mean, Harry never feels guilty about these actions, there's no authorial scorn or commentary poured on him as there is for other characters, no handy exposition from Hermione Sue as to why it might be wrong...
no subject
Date: 2004-06-07 05:16 pm (UTC)no subject
Date: 2004-06-08 08:35 am (UTC)Rebutt away, if you want!