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it somewhat bothers me, my lack of interest in thinking about people making hugely wrong choices that kill people, people's lives controlling the lives of others, the sense that nothing you do anymore is of your own making. many, many people write about the angst and frustration inherent in someone choosing to be "on the wrong side". how the hero would feel knowing that he wants a villain, someone he finds morally disgusting. how would a hero cope, etc.

the problem is, if you set up a world where there -is- an obvious "wrong side", where everyone who joins is wrong and dark and morally decrepit, you're automatically sliding right into the worst sort of fantasy world. i mean, who'd argue that voldemort is evil? no one. this is why it's a children's book. but even so-- just because you follow voldemort doesn't -make- you voldemort. just because you're a nazi doesn't mean you're morally vacant. there are so many lies both sides tell themselves, there isn't anyone contemporaneous with them who could judge them fairly.
    what about all those axioms? there is no right or wrong, only power and so on. all those cliches about war must hold -some- truth to them.

    
free will doesn't enter into it-- it's a questionable concept, if anything. certainly, the hero could hold these views, but story after story from the hero's pov gets old. everyone who writes warfic seems to write it from either the perspective of-- everyone loses, everyone is evil, everyone is morally corrupt-- or, there is right and there's wrong and love is pretty much doomed if it escalates the conflict.

i'm tired of seeing the doom inherent in being a nazi-- excuse me, death eater. this us/them mentality just never gets really challenged very thoroughly, it seems.     obviously, it's present in the potterverse itself, but you would think you could maybe shake it up a little sometimes, or something. oh sure, there is slytherin-positive fic, but that's just the flip-side of the coin. all you're doing is making the slytherins (or the death eaters) be the "right" side.

there is a simple concept that i don't see very much: war itself is corrupt. it is not that your ideals make you corrupt, or your calling muggle-borns `mudblood' that makes you corrupt. it is when you actively persecute and hurt any group of people for any reason whatsoever-- that makes you corrupt. i'm tired of seeing this dichotomy played out over and over, as if the gryffindor's persecution of the slytherins is somehow "okay", as if killing people just because they kill others is "okay". in war, there is no moral high ground. harry has no intrinsic moral right to be disgusted with draco. draco isn't voldemort. draco is following the path in front of him just as harry is.

so maybe it's not that i dislike warfic. maybe it's just that i'm tired of seeing this same old simplistic moral dilemma played out over and over and over and over.
    can draco be "okay" for harry to love even though he's a death eater?
    and it's not the answer that matters here, because it does vary, it's the question itself. is -harry- okay for -draco- to love because he's a moralistically narrow-minded self-righteous gryffindor?
    obviously, in the "real world", we are all just people. there are no "bad people" and "good people" in war. just because you're in the iraqi army doesn't make you saddam, and neither does being in the american army make you mother theresa, and vice versa. it's the person's personal conscience that determines their character, not the things they do when following orders. can we move on, please?

so i guess my issue with all these fics is-- all sorts of people who haven't really thought through these issues enough just -write- this sort of scenario because -obviously- draco will be a death eater unless he's "redeemed" and so harry & draco's love has Doom and Angst.
    harry is the auror, draco is the anti-auror. yes, we get it.
    and throughout, this duality is kept up. draco is "bad", harry tolerates it or snaps or they have an unhealthy, brutal relationship. and sure, there are lots of reasons for them to have one. but why write about this simple dilemma so often?

personally, i like their personal dynamic-- i think their reaction to each other is instinctive and personal (as shown by the scene in madame malkin's, where harry immediately has issues with malfoy and malfoy immediately acts like a spoiled brat, which is probably the worst offense as far as harry is concerned, slytherin nothing), or at least i like to think so. they are in fact, on opposite sides, but i think that's just a natural consequence of them being so different as far as personality (which is related to their similarities-- which kind of drive them apart too). i think that by making it all a question of choice and consequence and duty and ideals you're only incidentally writing about harry & draco. you're really making them even more symbolic than they already are.

goddamn. gimme disillusioned!harry & draco, just once. not so much with the brothers-in-arms or enemies-attract, and more with the just harry and just draco and a war raging all around them if it has to be. and this, without apologizing for them, or making them nicer or making draco more "good". `artful facade' was sort of like that.
    people are people, that's all. they're not more inhuman or inherently more frightening whether they follow dumbledore or voldemort. it's all about choices, yes-- but that's one choice out of many. i suppose you could write about opposing sides, and that's fine, i just want to sometimes get a sense that this is all a house of cards. just once, even.

i'm not trying to be uber morally relativistic (though maybe, i don't know). i guess i want to see more flaws in the aurors, more darkness in the "good" guys, more mistakes on either side, more hope everywhere, more of a foundation for how these people are basically fighting a civil war, and these are their friends, their neighbors, these are the people they'll have to coexist peacefully with once it's all over. so voldemort started an insane cult-- so did david koresh. he amassed weapons too.
    you just can't write every death eater as personally represenative of the actions of them all. there are always traitors on either side-- hello, wormtail. there is always bleed-through, always mixed loyalties. a harry and draco who are completely representative of these ideals which have no place in real war just bore me after a point.

and man. ramble much?

Relativism II

Date: 2003-05-24 12:53 pm (UTC)
From: [identity profile] switchknife.livejournal.com

-->Continued from last post, because msg was too long:

Severus as well. Albus uses Snape as a spy, which is to say he authorizes the atrocities Snape may have to commit as one of the Death Eaters, in order to gain more information about Voldemort. It's a matter of moral compromise, you see? 'The Greater Good', so to speak... It doesn't matter if Severus might have to kill/torture Muggles (one can only presume, according to canon, that the Death Eaters do kill), as long as Albus gets his information. He doesn't have that wildly moralistic: 'I won't let you kill any innocents!' attitude. Instead, he folds his hands and watches, using his spy to gather information. Essentially: he is more the Slytherin hero, weighing opportunity costs, than the Gryffindor do-gooder, who would just jump in to save people. (This is going with the canon interpretation of Slytherins and Gryffindors--not that I agree with it all the time.)

Albus' use of Severus is rather like the practice employed by Britain/America in WWII, when they sent spies among the Nazis. Some of these spies were actually in charge of sending Jews to the gas chambers, but (whether or not they liked it) they had to allow such things to happen (and even participate) because they had to keep their cover.

See what I mean? The lines aren't so clear anymore... In the end, winning any war, political, magical or otherwise, is a matter of moral compromise. (Hey, that rhymed! :D)

And heheh, I don't quite 'lift up' Lucius... I prefer my villains to stay villainish to a certain degree, because darkness is interesting. Just slightly more complex than the I-laugh-maniacally-and-kill-Muggles kind of idea of a Death Eater. I wanted to write a Lucius that might be cruel, but could also be an aesthete and a gentleman.

*yawns* My, I know I've opened a can of worms with my Albus speech. I actually had much more proof before, but I've lost it now... *goes to re-read books*

Re: Relativism II

Date: 2003-05-24 01:28 pm (UTC)
From: [identity profile] yourpoison.livejournal.com
hmmm... see, this is where it becomes obvious that i'm just being intuitive (but i -wuv- albus! heh) rather than making any sort of thought-out argument, 95% of the time -.-
(which is why i'm all "wow" when someone thinks i -do- have a argument which would hold water).
i see your point, with dumbledore. hmm. it's not just the eye-twinkling (i don't mean to say he's a "kindly old man", just that he's silly & has a sense of humor and he's wacky-- and like, this is jkr, wacky is a major plus 'cause she makes everyone she seems to identify-with/love wacky or at least odd-- take remus for example-- i see dumbledore as an older remus mixed with some weasley somewhere, eheheheh).

anyway, also important is the way he says these wise, prophetic things to harry-- like when harry finds the Mirror. he's the old man on top of the mountain-- not meddling, just kind of conserving his power and not interfering in the affairs of the world. his time is past, and he does what he can and he tries to shape and mold the hero he can no longer be.

he -did- do the gryffindor-hero (i love the slytherin-hero idea, btw, lovelovelove it) thing with grindelwald. this is not his fight. this is harry's fight. i think a largish portion of this can be explained in mythic terms, not thinking of it in even semi-realistic terms. harry is The Hero. dumbledore is The Mentor. simple as pie. the mentor is there to guide the hero, give him advice that he can -use-, tools that will come in handy, be kind but not coddling-- think of merlin. hello, dumbledore, first class wizard, order of merlin. *smirks*

dumbledore isn't the hero or the fairy godmother. he's not there to rescue the hero, but allow the hero to rescue himself. he is the Watcher, the Observer, the magic and wisdom resource. he is the last resort and the unbreakable rock for harry to count on. eventually, harry will probably have to let go and dumbledore will go out of commission entirely, leaving harry to fend for himself. harry can't afford to depend on him too much. and this is harry's story through and through, this all makes sense to me.

i often think it's strange that hp readers almost never look at the books as part of a mythic, fantasy tradition. sure, most of us have -read- cs lewis and jrr tolkien and the brothers grimm, but i guess since jkr's books are set halfway in the "real world", it's easy to forget that this is most definitely a fairy tale.

i too think the nurture-vs-nature question is v. interesting and i'm chagrined i'd forgotten to consider it. harry's status as a semi-normal boy-hero after his childhood (one of the things that makes this a mythic tale) pretty much sets the tone for much of the self-determinism prevalent throughout the books. not -nature- (since this rules out hermione), so much as nature, self-determined, created, nature-by-will-through-chance (like it was will-through-chance-- or luck-- that harry lived). or something.

i've no doubt that draco really -is- nasty in many ways. a brat, a nasty brat (i meant that when i called him a brat, i was just also was saying that as far as -lucius- goes, it seems there's no great father/son relationship there).
i think draco isn't -just- a nasty brat-- he seems spoiled and prejudiced and self-centered and insensitive, but when not antagonistic, he seems... i dunno... normal(ish), like in madame malkin's or with crabbe & goyle or his father in the dark arts shop.

and well, personally, by giving lucius an aristocratic veneer, it doesn't... um... make him necessarily more interesting or deep. on the one hand, i believe people can be mean and sociopathic and amoral and so on. but, "villain" is a problematic word. he's kind of a despicable person, but i dunno. i don't think anyone -can- be a caricature and be remotely realistic. admittedly, my feelings on lucius are less than well-formed -.- i have a certain distaste for him which probably clouds things :D (but i can't talk, since i wrote this (http://www.livejournal.com/talkread.bml?journal=witchbabie&itemid=7396). *laughs*

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